“My work is about indicating the root of what is there,” Genie tells me in her garden sanctuary near Swiss Cottage, where she has lived for many years, and where she started The Lotus Foundation as a small healing arts centre. She has her own external studio, as well as a gallery at the front of the house, and there are numerous sculptures in the garden.
Her work typifies a really important shift that is starting to take place in the art world, from the ‘white cube’ space of conceptualism into an engagement with the inspiration of the Earth itself. This also brings the worlds of art and healing ...
There are approximately 613 more words in this article.
To read the rest of this article, please buy this issue, or join the Resurgence Trust. As a member you will receive access to the complete archive of magazines from May 1966.
If you are already a member, please Sign in
