Susan Derges
Yellow Moon
River Taw (Ivy)
Queen Anne’s Lace
Half Moon (Fir)
Half Moon (Ash)
Gold Moon
Crescent Moon (Briars)

Born in 1955, Susan Derges trained as a painter before turning to photography and in particular, to the cameraless photography for which she is best known. Susan Derges is internationally regarded and now considered to be one of Britain's most groundbreaking photographers. Much of her recent work has been made at night, in the open air, using the natural world as her darkroom. Drawing on the work of early 19th century experimental photographers, she has created a new and unique method of image-making.
The metaphors her work has been concerned with encompass subject matter informed by the physical and biological sciences as well as landscape and abstraction. Derges’ art is an ongoing enquiry into the relationship of the self to the observed. This has generated images that combine aesthetic beauty with thought provoking content. Major publications of her work include: Woman Thinking River, published in 1998, Liquid Form with an essay by Professor Martin kemp, published 1n 1999 and Kingswood published in 2002 by photoworks.
Susan Derges lives and works on Dartmoor, Devon and is represented by Purdy Hicks Gallery in London.
See Resurgence online article: Susan Derges - RIVERS & STARS interview by Satish Kumar (Issue 223)
Selected Bibliography
1978
- Hayward Annual ‘78 (Catalogue) Arts Council of England
1984
- The Hara Annual (Catalogue) Hara Museum of Contemporary Art, Tokyo
1989
- Phenomenart (Catalogue) Saibu Gas Museum, Fukuoka, Japan
1993
- New Inhabitants: Seven Artists on Dartmoor (Catalogue) Royal Albert Museum and Art Gallery, Exeter
- Between Sun and Earth (Catalogue) The Photographer’s Gallery, London. Essays by David Chandler and Christopher Bucklow
1994
- Umbra Penumbra (Catalogue) Spacex Gallery, Exeter
- Well Spring (Catalogue) Bath Festivals Trust, Bath. Essay by Antonia Payne
1995
- Possibilities of Extension (Catalogue) Aspex Visual Arts Trust, Portsmouth. Essay by Lisa Moran
- Content and Discontent in Today’s Photography, Independent Curators Incorporated, New York. Essay by Andy Grundberg
- Embodied (Catalogue) Arnolfini, Bristol. Essays by Tessa Jackson and Chrisopher Bucklow
1996
- Elective Affinities (Catalogue) Michael Hue-Williams Fine Art, London. Essay by Mark Haworth-Booth
- Under the Sun (Catalogue) Fraenkel Gallery, San Francisco. Essay by David Alan Mellor
- On the Bright Side of Life: Contemporary British Photography. NGBK. Essays by David Chandler, Val Williams, David A. Baily, David Alan Mellor, Brett Rogers.
1997
- River Taw (book) Michael Hue-Williams Fine Art, London. Essay by Richard Bright
1998
- Dark Matter (catalogue) Harris Museum and Turnpike Gallery. Essays by Clive Cazeau, Michael Petry and David Peat
- Dust Breeding - Photographs, Sculpture & Film Fraenkel Gallery USA. Essay by Steve Wolfe
1999
- Woman Thinking River (book) Fraenkel and Danziger Galleries, USA. Essay by Charlotte Cotton
- Susan Derges Liquid Form Michael Hue-Williams Fine Art UK. Essay by Martin Kemp
2000
- 20 Twenty Fraenkel Gallery, San Francisco
2002
- Kingswood (book) Photoworks and Stour Valley Arts Project
- Now What is Photo Gana Art Gallery, Seoul, Korea
- Portfolio Magazine issue no.34
2003
- Retrospective - Nichido Contemporary Art
- Next Level Magazine, London
- Recycling Lucifer’s Fall - Houldsworth
Selected Collections
- Victoria and Albert Museum, London
- Arts Council of England
- Arnolfini Trust, Bristol
- The Citibank Private Bank Collection, London
- NatWest Group, London
- Deutsche Morgan Grenfell (UK)
- Conoco Ltd, London
- Texaco plc, London
- National Museum of Film, Photography and Television, Bradford
- British Airways
- Dorset County Hospital
- The Metropolitan Museum of Art, New York
- San Francisco Museum of Modern Art
- Hess Collection Napa, Bern, London
- Künstlerhaus Bethanien, Berlin
- Neuer Berliner Kunstverein, Berlin
- The Hara Art Museum, Tokyo
- Saibu Gas Museum, Fukuoka, Japan
- The Art Institute of Chicago
- MFA Boston
- MFA Houston