Ten days into 2026, I found myself crawling between the chambers of a disused chalk mine excavated deep into the Surrey hills of southern England. As an ecopoet, it is not unusual for me to transform unexpected spaces into a temporary writer’s studio. The four walls of my office are regularly exchanged for the meandering footpaths of local woodlands and heathland, or restless stretches of coastline. However, when I first began writing professionally, I never would have pictured myself climbing through a series of dark, underground, crumbling passages in the pursuit of poetry.
I was accompanying ...
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